翻訳と辞書 ・ Mass in C major
・ Mass in C major (Beethoven)
・ Mass in C major, K. 167 "in honorem Sanctissimae Trinitatis"
・ Mass in C major, K. 220 "Sparrow"
・ Mass in C major, K. 257 "Credo"
・ Mass in C major, K. 258 "Piccolomini"
・ Mass in C major, K. 259 "Organ solo"
・ Mass in C major, K. 262 "Missa longa"
・ Mass in C major, K. 337 "Solemnis"
・ Mass in C major, K. 66 "Dominicus"
・ Mass in C minor
・ Mass in C minor, K. 139 "Waisenhaus"
・ Mass in D (Smyth)
・ Mass in D major, K. 194
・ Mass in D minor, K. 65
・ Mass in E-flat (Beach)
・ Mass in F major, K. 192
・ Mass in F Minor
・ Mass in F Minor (disambiguation)
・ Mass in G major, K. 140 "Pastoral"
・ Mass in G major, K. 49
・ Mass in G minor (Vaughan Williams)
・ Mass in general relativity
・ Mass in mode 2 (anonymous)
・ Mass in special relativity
・ Mass incidents in China
・ Mass index
・ Mass interconnect
・ Mass killings under Communist regimes
・ Mass line
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| Mass in E-flat (Beach) ： ウィキペディア英語版 |
Mass in E-flat (Beach)
The Mass in E, Op. 5, was Amy Beach's first major success, and it was the first mass written by an American woman. The Mass is a 75-minute work for chorus, quartet, organ, and orchestra.〔(American Composers.org )〕
==Composition==
Amy Beach began work on her Mass in E in 1886. She approached the work following the tradition of composing masses as a demonstration of skill. Beach was the first major American female composer and was also known as one of the leading composers of the New England School.〔(About.com )〕 The text of the Mass provides a framework for young composer to hone their skills in the creation of a large work. Beach believed basing composition on models to be very important when composing in a new form. The Handel and Haydn Society held performances of Luigi Cherubini's ''Deuxième Messe Solenelle'' in D minor and Bach's Mass in B minor around the time that Beach was beginning work on her own Mass, indicating she may have based her composition on those two models. The Handel and Haydn Society premiered her Mass in Boston in 1892.〔H. Earle Johnson, ''Hallelujah, Amen!: The Story of the Handel and Haydn Society of Boston'' (Boston: B. Humphries, 1965), 162-4〕 At the time, the Handel and Haydn Society was one of the oldest and most conservative choral groups in the country. The mass was not performed publicly again until the 1980s.
The Mass consists of Kyrie, Gloria in 4 movements, Credo in 4 movements, Sanctus, and Agnus Dei. Written in a Romantic style, the Mass is rich in harmony and tonality. The mass received praise for its contrast in instrumentation and also the solos for harp, cello, English horn and oboe. Evidence of Beach's models can be seen in the Kyrie and the Gloria.
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